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Posts Tagged ‘Louisville Kentucky’

Forecastle-07-17-2015-Sam-Smith-S-1

Photo by Willie MacLean

Once upon a time, in July of 2002, a grassroots-organized neighborhood gathering of music, art and activism took place in a quaint little patch of grass in the Fredrick Olmsted-designed Tyler Park. Located in the heart of the Highlands neighborhood in Louisville, Kentucky, the first Forecastle was comprised primarily of local artists and musicians who all performed for free.  Drawing a few hundred people nonetheless, festival founder JK McKnight made it all work on a budget of less than $500.

Fast forward to today, and this little grassroots festival has steadily evolved itself into a corporate-controlled, behemoth midwest tourist attraction, drawing thousands and thousands of festival-goers from 49 states and 12 countries. Now fully orchestrated by Knoxville’s AC Entertainment (producer of Bonnaroo & Sloss Music Festival), Forecastle Festival will once again take place on Louisville’s Waterfront Park this weekend, from July 15-17th.

The Dwindling Local Element

As an advocate for all things Kentucky, this writer would be remiss to note how our largest home state music festival seems to play host to fewer and fewer “Kentucky” musicians and artists, as each year passes. Sad, but true. In 2015 there were five artists, including My Morning Jacket, who hailed from the Bluegrass State, but this year it’s been reduced to only three, which is another aspect of the festival’s inevitable evolving trend. On the this year’s official lineup of musical artists with Kentucky roots we’ve got 1200, Joan Shelley and Louisville Orchestra Director, Teddy Abrams & Friends, who will likely feature a variety of other Kentucky musicians during his set.

Nonetheless, there’s still plenty to revel about and be excited for as Forecastle Festival maintains its status as Kentucky’s largest annual gathering of music and art. According to official ticket sales to date, this year’s festival is expected to surpass their all-time ticket sales record set last year, with over 65,000 tickets sold. 

Here are some of my personal highly-anticipated on and offstage attractions that I will choose to jabber about, in no specific order. You can even download a FREE set of tunes from a handful of Forecastle 2016 artists.

Ryan Adams

The last time I saw Mister Ryan Adams was in 2007 at Louisville’s Brown Theatre. This was when he had the audacity to only deliver a 20 minute acoustic set, sitting in a dimly-lit half circle with his band the entire time. After about three songs, plus a cover of Alice in Chains’ “Down in a Hole,” he stepped to the mic and uttered the words “Thank you, goodnight,” and then proceeded to walk offstage. Everyone in attendance was infuriated.

Ryan Adams

Ryan Adams

Regardless of that incident, this dude is one hell of a songwriter and live performer, with a 20+ year catalog of songs to draw from. I just happened to catch him on one of those shitty nights where ole’ Ryan just wasn’t feeling it. Chances are I won’t be the only person present at Forecastle this year who last saw him at the aforementioned flub show. That’s why I will confidently predict that his upcoming set at Forecastle will be an enthralling live demonstration of his musical prowess in one of his rare festival appearances. So, how about a total rock-out with your cock-out set there, Mister Adams? Some of us have been waiting a long time for it…

The Arcs

The last time a Dan Auerbach-fronted rock-n-roll machine graced a stage at Forecastle was in 2013, when the Black Keys gave a rock-n-roll sermon for over 2 hours to a rambunctious, yet appreciate drunken mass of fans. I was happily part of that mess.

The Arcs - Photo by Richard Swift

The Arcs – Photo by Richard Swift

Auerbach returns to the Forecastle stage with his newest rendition of psychedelia/garage rock while keeping intact his trademark vocals and reverb-drenched guitars. Also a vital part of the band is bassist Nick Movshon, whose better known for his extensive work with the late, great British soul queen, Amy Winehouse.

Keep an ear out for “Put a Flower in Your Pocket” if you’re a Keys fan. It should be just as a trippy performance as the song’s video. Hopefully. Catch them early on Saturday at 5:15 on the Mast Stage.

Gary Clark Jr.

Gary Clark Jr with his signature Epiphone Casino

Gary Clark Jr with his signature Epiphone Casino

Making his 2nd Forecastle appearance in only 3 years is Austin-based Gary Clark Jr., one the next soon-to-be greatest Blues rockers of our generation. He’s a festival staple across the country and his experience with the Forecastle crowd will lead to another guitar and vocal-fueled battleground experience for his audience.

Just wait till he plays “The Healing” at some point during the set. Who doesn’t need some healing from living in today’s world? Catch him on Sunday at 5:00 on the Mast Stage.

[Read our March 2016 review of Gary Clark Jr. by our own Miss Autumn en Austin]

1200

1200

1200

Also known as Jecorey Arthur, he is a music teacher for a local school by day, and up-and-coming hip-hop artist by night. There’s not much more of a positive role model coming from his west end Louisville roots. But this boy will ignite your senses with his genuine delivery of real-life inspired songs, and heartfelt authenticity. He’s a “real” musician whose capable of reshaping the overall perception of his style within the uninformed popular thought, so make sure you give him a listen on Friday at 3:00 on the Ocean Stage.

The GONZO Bar

You know, not because I’m freaking biased towards Hunter S. Thompson and virtually anything GONZO, but this will be one of the coolest damn spots to get a bourbon or other GONZO libation of choice. Thompson, a Louisville native, and creator of GONZO Journalism, was also a rabid bourbon connoisseur, amongst quite a few other mind-altering substances of choice.

Gonzo Bar Forecastle Festival

Gonzo Bar Forecastle Festival

Celebrate the GONZO spirit while you enjoy a new feature to this year’s bar – a Grant Goodwine curated “traveling madhouse” of inspired art by Thompson and his longtime British illustrator, Ralph Steadman. Great DAZE!!

Anderson East

Rhythm and blues and soul rockers with dashes of country are definitely crowd-pleasers at Forecastle. This year’s festival will feature one of that genre-orgy’s up-and-coming rising giants, with Michael Cameron Anderson, professionally recognized as Anderson East. 

Anderson East

Anderson East

Yep, this little young Alabama lad can sure as hell man a mic and rock a stage with more heartfelt intent than some of the seasoned veterans around him. And when he’s done doing all that, he parks his boots under Country Music Queen, Miss Miranda Lambert’s bed. How about that?

You’ll have to shake off that Saturday night hangover kind of quickly as he opens the Mast Stage on Sunday at 1:45. Oh yeah, make sure you wish him a happy birthday if you’re in attendance because he’ll be celebrating his 28th.

The Bourbon Lodge

The Bourbon Lodge

The Bourbon Lodge

A celebration of Kentucky’s most famous export, other than horses and world-renowned musicians: bourbon, curated by The Kentucky Bourbon Trail, a non-profit organization that promotes and publicizes all the major bourbon distillers throughout the state. You’ll learn about the history and cultivation of bourbon directly from the distilleries who’ve made it a world class export. And of course, be aware this is usually the only non-VIP air-conditioned oasis within festival grounds. So why not give all those sun and heat-relief seekers first class access to Kentucky’s brown hell water? Good call.

Kentucky Landing

Kentucky Landing

Kentucky Landing

This is the corridor where most of the incoming art will be found, along with mixed in festival retailers, many from Kentucky. It’s definitely the calmest and quietest section of the festival ground, and is great place to people watch. Grab a bite to eat. Or drink a craft brew. Or catch a nap. Whatever floats your boat.

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FullSizeRenderWhiskey Bent Valley Boys
On The Fly
Produced by Ben Townsend
Questionable Records: Pewee Valley, Kentucky
Released: May, 2016
whiskeybentvalley.tumblr.com

There’s been a bit of a resurgence of popularity, so to speak, in the world of bluegrass music over the last decade or so, in case you haven’t noticed. While the majority of big time present-day bluegrass renegades experiment with ways of incorporating modern sounds into this pioneering art form of string-picking, Pewee Valley, Kentucky’s Whiskey Bent Valley Boys are non-conformists, in that regard. Conjuring up more of a 19th century, rootsy style, these young Kentucky lads entire persona is about inducing a historical feel to both their sound and image. Almost as if they’re trying to emulate an actual Appalachian backwoods porch jam session amongst family members in 1885. Happy, hillbilly, tenor-induced, string mayhem is how I’ll sum it up, with songs about running rabbits, shady groves and drinking up that whiskey. No doubt they live up to their name.

And just like the majority of their fellow Kentucky-born musical brethren, songs about the home state is always hip subject matter to lay down tracks to. Regardless of your style. You’ve got the instrumental jam session of “Kentucky Traveler,” followed up by the reminiscent testament of “Old Kentucky” where they sing of growing up on the banks of the Ohio, amongst other homages sprinkled throughout.

Whiskey Bent Valley Boys once again cement their status in bluegrass, as an authentic old-time, whiskey-sipping, porch-stomping, string-slaying trio of young lads who belt out tunes which remind us of a time that none of us actually have any real memory of.

-This review also published at GonzoToday.com

 

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GFLou2016
GonzoFest Louisville
, Louisville’s annual celebration of its most famous 
literary son, Dr. Hunter S. Thompson, returns to Waterfront Park’s Big Four Lawn to celebrate the life, work and legacy of Louisville’s own Hunter S. Thompson on Saturday, April 16, 2016.

GonzoFest Louisville, now in its sixth year, has stacked this year’s lineup with national and local acts. Nashville rockers with Kentucky roots, Fly Golden Eagle and rock & roll trio Natural Child, who are also from Nashville, will headline GonzoFest Louisville 2016. Old-school hip-hop artists Dr. Dundiff with Touch AC and Smoke Shop Kids, along with garage punk band Chrome Pony, and indie rock band Quiet Hollers are set to perform on the main stage.

Also on the bill is Frederick The Younger, a slinky vintage pop band from Louisville, local rockers Your News Vehicles, and acid country rock band The Bottom Sop. Along with Frogg Corpse & Mr. Stranger Present The End of The World on the Gonzo Today Stage.

In addition to music and spoken word performances, Tinderbox Circus Sideshow, the self-proclaimed “most mind-blowingly devilish backwoods troupe from the ground up”.will be performing at the Gonzo Today Tent Stage throughout the day.

Craft vendors, food, liquor, beer, will be available at the festival as well. GonzoFest Louisville 2016 will also feature a non-fiction literary contest and a satirical political portrait art contest. Submit literary entries to gonzoliterarycontest@gmail.com. Art entries must be sent to 4016 Summer Place New Albany, IN 47150. Literary and art entries must be submitted by March 15, 2016.

The official GonzoFest Louisville after-party at The New Vintage begins at 11:00 p.m.; featuring The Sundresses, Discount Guns, plus a very special jam session with festival musicians. Present your GonzoFest Louisville 2016 ticket stub for free entry to the after-party ($10 at the door otherwise).

Proceeds from GonzoFest Louisville 2016 will support the creation of a life-size bronze statue of Hunter S. Thompson. Sculptor, Matthew Weir will be present during the festival. GonzoFest Louisville is sponsored by Falls City Brewing and Four Roses Bourbon. Gates open at 1:00 p.m. Tickets are $20 and can be purchased online at Eventbrite. Additional information, including details about the 2016 literary contest, vendor applications, sponsorship and volunteer opportunities can be found by visiting www.GonzoFestLou.com.

For the latest news about this year’s festival fans can visit GonzoFest Louisville on Facebook, Twitter, and Instagram.

About GonzoFest Louisville
GonzoFest Louisville is a literary and music festival honoring Hunter S. Thompson, as well as the lasting mark he has made on literature, art and music. Through poetry, spoken word, art and live music and more, GonzoFest Louisville celebrates the life and times of Hunter S. Thompson in his hometown. 2016 will mark the sixth year of the festival.

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FF2014

Forecastle Festival, 2014 – Louisville, Kentucky

Write drunk. Edit sober.

That’s a debated Hemingway’esque philosophy to writing, and pretty much the context and tactic I used to write this preview under, so consider yourself forewarned, to some extent.

Speaking of writing under the influence, and in honor of Louisville-native Hunter S. Thompson, I figured I’d adopt a tried-and-true gonzo spirit for my 7th edition of coverage of Louisville’s Forecastle Festival, taking place this Friday, July 17 thru Sunday, July 19 at Waterfront Park in Louisville, Kentucky.

Now in it’s 14th year, Forecastle Festival takes place over what would’ve been Thompson’s 77th birthday on July 18, and there should be plenty of reminders throughout the festival of this man’s contributions to the world of journalism and Louisville culture.

Originating in 2002 as a humble grassroots neighborhood celebration of music, activism and culture, Forecastle Festival has now morphed into a corporate-controlled, mammoth-sized festival that has all the usual bells and whistles of mega festivals alike: big-name artists, big-dollar sponsors, big-time ticket prices, big-congregations of festivalgoers, and big-hoorah good times. You get what you pay for, I suppose.

As for the big-name artists, Forecastle-regulars and Louisville-natives, My Morning Jacket, will headline along with British-crooner Sam Smith, and hippie jam band-favorite Widespread Panic. Rounding out the other big-name Kentucky artists, you’ve got Cage The Elephant and Houndmouth set to perform, along with a host of other lesser and better known artists of the like. A full schedule of all performing artists, of course, can be found at Lineup.ForecastleFest.com.

Carrying on with its activism element for existence, Forecastle made one of their biggest activism strides to date by announcing this year’s festival will run on a 100% pollution free electricity. For every kWh of electricity used, a kWh will be produced and put on the grid by a pollution-free, renewable source, according to the press release.

“Forecastle Festival was built on the premise of environmental responsibility and for years we’ve worked to be as sustainable as possible through conservation, recycling, composting and the use biodiesel fuel,” said Forecastle Founder and Captain, JK McKnight. “The partnership is a huge leap forward, positioning us as one of the most sustainable, ecologically-focused events in the nation.”

So, ironically, one of the nation’s cleanest and smallest carbon footprint festivals will take place on the banks of one of the nation’s dirtiest rivers. Maybe some of that activism can be channeled into a future plan to do something to clean up the Ohio River. Moving on…

Can’t we all just get along, man?

The answer to that question through the Forecastle lens, is a resounding “Yes, man! We can!.”

Photo by Jason Ashcraft

Photo by Jason Ashcraft

Of all the years I’ve attended this festival, not once have I ever witnessed so much as even verbal dispute, let alone a physical one, amongst festivalgoers. Everyone really does just get along no matter how much fear and loathing takes place.

In a day and age where news headlines rarely report on thousands and thousands of people flocking to a shared space to just get along, this really is something to be proud of.

Even the local police and law enforcement just usually end up sitting around on their fancy four wheelers, just watching, not having to even worry about getting their uniforms dirty. And even being seemingly tolerant to those who are obviously under the influence of whatever-the-fuck. Imagine that.

Other fairly predictable and typical Forecastle features that will most likely take place this weekend:

  • Louisville’s Mayor will likely show up in VIP at some point – and be un-Mayor-like – for the weekend. He may even bring on My Morning Jacket to the stage since he is quite a well known fan of the band and festival.
  • The Hunter S. Thompson 10’ human-powered mannequin will make another appearance to much audience appeasement and selfie-induced antics.
  • There is, once again, the Gonzo Bar, a tribute bar to H.S.T., and the Bourbon Lodge which showcases Kentucky-bred bourbon and libation culture. You know, so you can achieve an authentic Kentucky buzz.
  • Artists of the non-musical type, will start various creative projects on Friday, finishing by Sunday, sometimes with the help of random passerbyers.
  • And, of course, My Morning Jacket will most likely give their next version of their greatest set ever, I’m sure. These guys always pull out something weird and unpredictable for their hometown’s biggest gig. Remember in 2012 when they sang George Michael’s “I’m Never Gonna Dance Again” while both throwing and singing “bananas” to the crowd?

Yeah, it’s like that.

So, in the immortal words of Hunter S. Thompson, and the final suggestion I made in my 2014 Forecastle Festival review, just “buy the ticket, take the ride.”

Ok?

— This preview also published at PerformerMag.com

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Photo by Jason Ashcraft

You wanna know what Forecastle Festival is like? Ok. It’s a little something like this: Music. Art(ists). Ecology. Louisville-lovers. Dirty hippie dudes. Dirty hippie dames. Beardos. Rollie Fingers’ staches. Dreadlocks. Tye-dye. Bassheads. Potheads. River-bathers. Burlesque performances. Tree-huggers. Socialists. Liberals. Journalists. Hacky-sack circles. Sweaty people drinking PBR. Sweaty people making out. Sweaty people drinking PBRs and making out. Teenage make-shift obstacle hurdlers. Pervasive Mary Jane aromas. Muhammad Ali portraits in the head. The Mayor in VIP.

Yep, this is how it went down on the banks of the Ohio River when more than 35,000 people jumbled together to celebrate Louisville, right below its own skyline in Waterfront Park. And, yes, this was a city government-endorsed event as Mayor Fischer was present to once again welcome My Morning Jacket with Forecastle Festival founder JK McKnight. Whereas some city governments shun music festivals like these, Louisville’s embraces it.

Things have really evolved culturally in this town over the last couple decades, and Forecastle just may be one, if not the main, instigator of said evolution. It’s living, breathing, naked proof that people from many different backgrounds, beliefs and races can coexist together in a way that promotes unity, cultural awareness, activism and freedom with music as the unifying stimulus.

With music being one of the biggest aspects of the festival, here is the rundown of the artists ranked from best to worst in my own opinion.

My Morning Jacket

Jim James – Photo by Kate Eldridge (www.KateEldridge.com)

I don’t have a clue where to freaking begin here. Why? Because last May 2011, when the band released Circuital at Louisville’s Palace Theatre I said that MMJ gave the greatest performance they could ever give. Now here I am, again, both eating my words and again saying, “MMJ gave the greatest performance they could ever give at Forecastle.” Not to mention the best performance – by far – of the entire damn festival. Exactly as they planned to.

In a recent interview with MMJ bassist Two-Tone Tommy, he promised that “surprises” were in store, and the first came only two songs in when the big brass backing of Preservation Hall Jazz Band joined them for a crowd-pleasing version of “Holdin’ Onto Black Metal.”

Keeping the set eclectic, they played songs from virtually their entire discography, opening with “The Dark” and busting out mesmerizing versions of “The Bear,” “Anytime,” “Smoking From Shooting,” “Steam Engine,” and crowd favorites, including“Wordless Chorus” and an Andrew Bird-accompanied version of “Gideon.”

They also logged killer covers of Elton John’s “Rocket Man,” George Harrison’s “Isn’t It a Pity,” The Band’s “It Makes No Difference,” and an encore performance of George Michael’s “Careless Whisper” in which Jim delivered a message from George Michael himself, while tossing bananas to the audience and hilariously adjusting the lyrics to suit the occasion.

I wouldn’t be surprised if that cover perpetuated the sale of a few more George Michaels’ albums on iTunes post-show from all those youngins, who were wondering what the hell they just heard. Hey kids, just like Jim mentioned during a mid-song instrumental break, “George Michaels gets a lot of shit, but he is a fucking genius.” Truer words never spoken.

Once the banana tossing concluded, and with Forecastle’s First-mate saluting the audience from side-stage, former MMJ guitarist Johnny Quaid (of Ravenna Colt) emerged from backstage to play a rambunctious version of “One Big Holiday.” With that, the stage came alive as human-propelled animal and fish props became part of the stage show and provided the last of many “holy shit” moments for the evening.

Sleeper Agent

Now here is a band with a lot of charisma and a seemingly bright future ahead of them — that is — if they keep giving performances like they did at Forecastle. Make no mistake folks, lead singer Alex Kandel is the star in this band as she danced, headbanged and pushed her way around stage with fellow bandmates, flipping her hair from one side to the next every five steps.

Sleeper Agent – Photo by Kate Eldridge (www.KateEldridge.com)

I guess Guitarist Tony Smith figured he, too, needed to get a little wicked, electing to jump offstage and crowd-surf till he was dropped. He quickly jumped back to his feet and climbed back onstage to carry on.

The Bowling Green, Kentuckians logged rowdy live performances of “Get Burned,” “Get It Daddy” and “Proper Taste,” all from their debut album Celebrasion. If these little young Kentucky lads are to have some more big shows in their future, then all they gotta do is keep doing what they did at Forecastle. Their crowd was one of the biggest of the smaller two stages. Next time, they should get a bigger stage because I’m betting they will hold their own on a stage of any size.  

Ben Sollee

Ben Sollee – Photo by Kate Eldridge (www.KateEldridge.com)

Kentucky’s cello-rocker Ben Sollee is a one-man orchestra onstage. Offstage, he’s a seemingly passive, small-framed guy, who almost looks like a scientist or a high school math teacher. But don’t be fooled, because he once again shattered that subtle image the moment he took stage and masterfully blended elements of classical and out-right jamming styles of sound from his cello. He adds in some soulful vocals and sometimes plays with vicious intent and a lot of passion.

Not even a 10-minute late start due to a technical glitch slowed him down on his Sunday evening performance, nor did it decrease the size of his audience, which eagerly awaited him to start plucking and strumming that cello with his bow. Once he started, Sollee quickly captured his audience with his passion in both personality and showmanship. His one-hour set flew by, and I found myself having to cut-out about 15 minutes early to see another equally impressive band getting ready to start.

Clutch

“Hat’s off to My Morning Jacket for their great taste in music!” says Clutch lead singer Neil Fallon, who selfishly joked at mid-set about their invitation to play. But he’s right, especially if you’re fan of good ole’ dirty and stripped-down rock ‘n’ roll, which is a music style that’s not the norm at Forecastle.

Clutch – Photo by Kate Eldridge (www.KateEldridge.com)

Filling the Boom Stage’s lawn with a couple thousand people, Clutch played cuts from their entire catalog. Opening with “Gravel Road” and closing with “One Eye Dollar,” Clutch delivered a set that spanned their 20-year career in music, including high-energy versions of their more popular hits like “50,000 Unstoppable Watts” and “Electric Worry,” yet strangely left out “The Mob Goes Wild.” Damn. Maybe next time.

Ochestre Poly-Rythmo

These Afrobeat and funk pioneers were probably one of the most under-anticipated acts playing in the entire festival. These guys have been playing together for decades but added a hip international flair unlike previous years. Although they’ve been jamming out since the ‘60s, this was only their second trip to the U.S.

Orchestre Poly-Rythmo – Photo by Jason Ashcraft

About an equal amount of time was shared between instrumental play and the soulful French-African vocals of lead singer Amenoudji Joseph Vicky, who spoke to the audience during and in-between songs.

After his performance, I actually had the chance to speak with Vicky on things like the meaning of his music, who some of his musical influences are, and even got a little political, quizzing him on his thoughts on President Obama and our country’s political system.

Speaking in his native French tongue and with a little help from Poly Rythmo’s interpreter and U.S. Manager, Elodie, Vicky was candid and entertaining to listen to. I just wish he had broken out a peace pipe on me. Oh well.

Moon Taxi

This is one band I hadn’t actually planned on seeing, but that I just happened to stumble upon while waiting to see Cabin at the next stage over. I gotta say I’m definitely glad I did, because the guys were totally balls-out rock ‘n’ roll with enough energy radiating off the stage to keep their audience growing through the set.

Now I didn’t recognize any of their original music, but they belted out one mean cover of The Who’s “Teenage Wasteland,” which stopped a few would-be passerbys dead in their tracks as they made their way to the stage.

Cabin

Cabin with Ben Sollee – Photo by Kate Eldridge (www.KateEldridge.com)

One of several Louisville-based indie rock acts took the stage on a muggy Sunday evening to a rather shy and undersized crowd. Lead singer Noah Hewett-Ball has a calm, cool and collected demeanor onstage that seems to carry over with most of their music as a band.

One of their more catchy tunes they played, “A Lie Worth Believing,” just happened to bring out cello extraordinaire, Ben Sollee, for a little eclectic addition to an already catchy song. Much to the modest crowd’s appeasement, Keyboard and Violinist Sarah Beth Welder wasn’t shy about admitting that “I got to knock something off my bucket list by playing with Ben Sollee.”

Lucero

The country punk rockers make their Forecastle return, this time with less bugs up in their grills. Yep, the last time they played Forecastle in 2010 Lucero was swarmed by big river flies that spoiled their performance a little. Not this time, though, instead they were swarmed with a steady fan base.

Frontman Ben Nichols’ gritty and countryfied vocals charmed the couple thousand fans, who weren’t in short supply of being fond for alt-southern sounds that makes Lucero iconic.

Lucero – Photo by Kate Eldridge (www.KateEldridge.com)

Promoting their latest album Women & Work, Nichols and band jammed out the title track to an eager audience. And it wouldn’t be a true Lucero show if they didn’t play “Nights Like These” and “Kiss the Bottle,” which Nichols refers to as his “jaw breaking song.”

Preservation Hall Jazz Band

The pride of New Orlean’s zydeco-jazz music culture stormed into Louisville — almost literally. Staying true to Preservation Hall’s reputation of never hosting a performance in the rain, the day’s storms cleared out of Louisville just in time. Some things never change, I guess.

Preservation Hall Jazz Band with Jim James – Photo by Kate Eldridge (www.KateEldridge.com)

Just as everyone anticipated, Jim James took the stage for a cabaret-like sing-a-long with Bourbon Street’s brass kings. And somehow at the end of that boisterous performance, James was holding a broken mic stand. Figure that one out for me.

Ravenna Colt

Johnny Quaid – Photo by Kate Eldridge (www.KateEldridge.com)

Who would’ve ever known that frontman Johnny Quaid actually had something more exciting in store than his own band’s performance at Forecastle? Not even me. Just a few hours after a bit of a mundane performance with his band Ravenna Colt, Quaid joined his former bandmates in My Morning Jacket onstage for what had to be the highlight of his night.

Ravenna Colt has some decent songs, thanks to Quaid’s obvious ear for sound, but their presentation needs some work. Many of their songs don’t warrant an energetic performance; the band just didn’t seem to be inspired by the music they were playing.

“South of Ohio” is one song they played that warrants a feather in his hat, but a bleak crowd seemed to detract from the performance.

GirlTalk

From Bruce Springsteen to Outkast to Black Sabbath, etc., etc. All laced with a steady backbeat. Ok, this guy reminded me of this loud-mouth, yet like-able, drunken club DJ that I used to work with in college in Richmond, Ky.
This dude pressed a damn button every so often on his laptop, yelled through his microphone “How y’all doing?” a few times and then staggered around like a boozed up ADHD patient all night — sometimes being away from his “instrument” for extended periods of time. Sure, he was a fun guy who “breaks out the jams” and entertains the chemically induced masses. But let’s be clear; I never considered this drunken bastard “talented.” Know what I mean?

GirlTalk – Photo by Kate Eldridge (www.KateEldridge.com)

Final thoughts…

It’s safe to say that this year’s Forecastle Festival topped everyone’s expectations, even my own. I admit that one of my first worries with all the amped up hype was that there would be an equally amped up Police force and security team ready to spoil the fun. As it turned out, however, and much to everyone’s appreciation, that wasn’t the case. They were seemingly respectful of the fans.

Photo by Jason Ashcraft

I mean, let’s face it; you can’t have the police dragging away a bunch of teenage and 20-something potheads for passing around doobies. Not when the Mayor just came off stage from amping them up and hanging out in VIP. That wouldn’t look good, now would it?

In all seriousness, well done LMPD and Axis Security! You see? You guys still brought home the same amount of pay, maintained the safety of all festival-goers and didn’t have to break a sweat or someone’s arm while doing it. Hopefully, you guys now realize that all those pot-smoking, music-junkie hippie kids aren’t really interested in bringing harm to anyone or anything. Nah. All they really want to do is get another polish sausage to suffice their munchies, dance in circles to a My Morning Jacket or Dr. Dog song, and maybe learn how to burn a few less fossil fuels in their daily lives. So, thank you for allowing this to happen. Peacefully.

** This review also published at LouisvilleKY.com and PerformerMag.com

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Brigid Kaelin is doing it again. Yep, the little red-headed darling songstress from Louisville’s original music scene is making her annual pilgrimage across the pond to Scotland. But this time for more of an extended stay while her husband attends graduate school in Scotland’s capital of Edinburgh.

She was anxious to sit down and explain the rationale behind the decision and was noticeably excited about the trip which will take her away from Louisville for more than a year.

With much glee, Kaelin wasn’t shy about declaring how much better the pay is for musicians in Europe.

“It’s good that you’re getting paid over there. They pay musicians in Europe. It’s the strangest thing. Imagine that. Artists getting paid.” she says with a cutesy touch of well-placed sarcasm while sitting in a yoga-like position on her basement keyboard bench.

She’s content with her position in music and in life. Her smile never dissipates, even while discussing one of Louisville’s moot points of being a musician and trying to get paid. 

It’s nice but not necessary with her. She’s a lover of the art of creating music and playing with different variations of expression.

Kaelin will be joined onstage starting at 7:00 pm with a host and variety of different musicians that she’s played with over the years. Expect appearances with Peter Searcy, Steve Cooley, Leigh Ann Yost, Danny Flanigan, the Billy Goat Strut Revue and Katy Krekel (daughter of the late Tim Krekel).

“It should be fun. Lot’s of special guests. It’s all the people I’ve played with over the years.”

Brigid Kaelin & Friends
Friday, August 26th
The Monkey Wrench
1025 Barret Ave.
7:00 pm
$5
21+

Here’s another one of my typical un-edited, self-shot, one-take video interview with Brigid on 8/23/11:



** This interview and preview is also posted at Louisville.com

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If Louisville’s “Metal” music scene ever needs another reason why people don’t take them seriously and why it’s number of supportive venues continue to dwindle, then this is it….

Can anyone say “Jackass”?


Watch the entire report by WAVE 3 TV’s Troubleshooter Erick Flack.

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