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Posts Tagged ‘Clutch’

Photo by Jason Ashcraft

You wanna know what Forecastle Festival is like? Ok. It’s a little something like this: Music. Art(ists). Ecology. Louisville-lovers. Dirty hippie dudes. Dirty hippie dames. Beardos. Rollie Fingers’ staches. Dreadlocks. Tye-dye. Bassheads. Potheads. River-bathers. Burlesque performances. Tree-huggers. Socialists. Liberals. Journalists. Hacky-sack circles. Sweaty people drinking PBR. Sweaty people making out. Sweaty people drinking PBRs and making out. Teenage make-shift obstacle hurdlers. Pervasive Mary Jane aromas. Muhammad Ali portraits in the head. The Mayor in VIP.

Yep, this is how it went down on the banks of the Ohio River when more than 35,000 people jumbled together to celebrate Louisville, right below its own skyline in Waterfront Park. And, yes, this was a city government-endorsed event as Mayor Fischer was present to once again welcome My Morning Jacket with Forecastle Festival founder JK McKnight. Whereas some city governments shun music festivals like these, Louisville’s embraces it.

Things have really evolved culturally in this town over the last couple decades, and Forecastle just may be one, if not the main, instigator of said evolution. It’s living, breathing, naked proof that people from many different backgrounds, beliefs and races can coexist together in a way that promotes unity, cultural awareness, activism and freedom with music as the unifying stimulus.

With music being one of the biggest aspects of the festival, here is the rundown of the artists ranked from best to worst in my own opinion.

My Morning Jacket

Jim James – Photo by Kate Eldridge (www.KateEldridge.com)

I don’t have a clue where to freaking begin here. Why? Because last May 2011, when the band released Circuital at Louisville’s Palace Theatre I said that MMJ gave the greatest performance they could ever give. Now here I am, again, both eating my words and again saying, “MMJ gave the greatest performance they could ever give at Forecastle.” Not to mention the best performance – by far – of the entire damn festival. Exactly as they planned to.

In a recent interview with MMJ bassist Two-Tone Tommy, he promised that “surprises” were in store, and the first came only two songs in when the big brass backing of Preservation Hall Jazz Band joined them for a crowd-pleasing version of “Holdin’ Onto Black Metal.”

Keeping the set eclectic, they played songs from virtually their entire discography, opening with “The Dark” and busting out mesmerizing versions of “The Bear,” “Anytime,” “Smoking From Shooting,” “Steam Engine,” and crowd favorites, including“Wordless Chorus” and an Andrew Bird-accompanied version of “Gideon.”

They also logged killer covers of Elton John’s “Rocket Man,” George Harrison’s “Isn’t It a Pity,” The Band’s “It Makes No Difference,” and an encore performance of George Michael’s “Careless Whisper” in which Jim delivered a message from George Michael himself, while tossing bananas to the audience and hilariously adjusting the lyrics to suit the occasion.

I wouldn’t be surprised if that cover perpetuated the sale of a few more George Michaels’ albums on iTunes post-show from all those youngins, who were wondering what the hell they just heard. Hey kids, just like Jim mentioned during a mid-song instrumental break, “George Michaels gets a lot of shit, but he is a fucking genius.” Truer words never spoken.

Once the banana tossing concluded, and with Forecastle’s First-mate saluting the audience from side-stage, former MMJ guitarist Johnny Quaid (of Ravenna Colt) emerged from backstage to play a rambunctious version of “One Big Holiday.” With that, the stage came alive as human-propelled animal and fish props became part of the stage show and provided the last of many “holy shit” moments for the evening.

Sleeper Agent

Now here is a band with a lot of charisma and a seemingly bright future ahead of them — that is — if they keep giving performances like they did at Forecastle. Make no mistake folks, lead singer Alex Kandel is the star in this band as she danced, headbanged and pushed her way around stage with fellow bandmates, flipping her hair from one side to the next every five steps.

Sleeper Agent – Photo by Kate Eldridge (www.KateEldridge.com)

I guess Guitarist Tony Smith figured he, too, needed to get a little wicked, electing to jump offstage and crowd-surf till he was dropped. He quickly jumped back to his feet and climbed back onstage to carry on.

The Bowling Green, Kentuckians logged rowdy live performances of “Get Burned,” “Get It Daddy” and “Proper Taste,” all from their debut album Celebrasion. If these little young Kentucky lads are to have some more big shows in their future, then all they gotta do is keep doing what they did at Forecastle. Their crowd was one of the biggest of the smaller two stages. Next time, they should get a bigger stage because I’m betting they will hold their own on a stage of any size.  

Ben Sollee

Ben Sollee – Photo by Kate Eldridge (www.KateEldridge.com)

Kentucky’s cello-rocker Ben Sollee is a one-man orchestra onstage. Offstage, he’s a seemingly passive, small-framed guy, who almost looks like a scientist or a high school math teacher. But don’t be fooled, because he once again shattered that subtle image the moment he took stage and masterfully blended elements of classical and out-right jamming styles of sound from his cello. He adds in some soulful vocals and sometimes plays with vicious intent and a lot of passion.

Not even a 10-minute late start due to a technical glitch slowed him down on his Sunday evening performance, nor did it decrease the size of his audience, which eagerly awaited him to start plucking and strumming that cello with his bow. Once he started, Sollee quickly captured his audience with his passion in both personality and showmanship. His one-hour set flew by, and I found myself having to cut-out about 15 minutes early to see another equally impressive band getting ready to start.

Clutch

“Hat’s off to My Morning Jacket for their great taste in music!” says Clutch lead singer Neil Fallon, who selfishly joked at mid-set about their invitation to play. But he’s right, especially if you’re fan of good ole’ dirty and stripped-down rock ‘n’ roll, which is a music style that’s not the norm at Forecastle.

Clutch – Photo by Kate Eldridge (www.KateEldridge.com)

Filling the Boom Stage’s lawn with a couple thousand people, Clutch played cuts from their entire catalog. Opening with “Gravel Road” and closing with “One Eye Dollar,” Clutch delivered a set that spanned their 20-year career in music, including high-energy versions of their more popular hits like “50,000 Unstoppable Watts” and “Electric Worry,” yet strangely left out “The Mob Goes Wild.” Damn. Maybe next time.

Ochestre Poly-Rythmo

These Afrobeat and funk pioneers were probably one of the most under-anticipated acts playing in the entire festival. These guys have been playing together for decades but added a hip international flair unlike previous years. Although they’ve been jamming out since the ‘60s, this was only their second trip to the U.S.

Orchestre Poly-Rythmo – Photo by Jason Ashcraft

About an equal amount of time was shared between instrumental play and the soulful French-African vocals of lead singer Amenoudji Joseph Vicky, who spoke to the audience during and in-between songs.

After his performance, I actually had the chance to speak with Vicky on things like the meaning of his music, who some of his musical influences are, and even got a little political, quizzing him on his thoughts on President Obama and our country’s political system.

Speaking in his native French tongue and with a little help from Poly Rythmo’s interpreter and U.S. Manager, Elodie, Vicky was candid and entertaining to listen to. I just wish he had broken out a peace pipe on me. Oh well.

Moon Taxi

This is one band I hadn’t actually planned on seeing, but that I just happened to stumble upon while waiting to see Cabin at the next stage over. I gotta say I’m definitely glad I did, because the guys were totally balls-out rock ‘n’ roll with enough energy radiating off the stage to keep their audience growing through the set.

Now I didn’t recognize any of their original music, but they belted out one mean cover of The Who’s “Teenage Wasteland,” which stopped a few would-be passerbys dead in their tracks as they made their way to the stage.

Cabin

Cabin with Ben Sollee – Photo by Kate Eldridge (www.KateEldridge.com)

One of several Louisville-based indie rock acts took the stage on a muggy Sunday evening to a rather shy and undersized crowd. Lead singer Noah Hewett-Ball has a calm, cool and collected demeanor onstage that seems to carry over with most of their music as a band.

One of their more catchy tunes they played, “A Lie Worth Believing,” just happened to bring out cello extraordinaire, Ben Sollee, for a little eclectic addition to an already catchy song. Much to the modest crowd’s appeasement, Keyboard and Violinist Sarah Beth Welder wasn’t shy about admitting that “I got to knock something off my bucket list by playing with Ben Sollee.”

Lucero

The country punk rockers make their Forecastle return, this time with less bugs up in their grills. Yep, the last time they played Forecastle in 2010 Lucero was swarmed by big river flies that spoiled their performance a little. Not this time, though, instead they were swarmed with a steady fan base.

Frontman Ben Nichols’ gritty and countryfied vocals charmed the couple thousand fans, who weren’t in short supply of being fond for alt-southern sounds that makes Lucero iconic.

Lucero – Photo by Kate Eldridge (www.KateEldridge.com)

Promoting their latest album Women & Work, Nichols and band jammed out the title track to an eager audience. And it wouldn’t be a true Lucero show if they didn’t play “Nights Like These” and “Kiss the Bottle,” which Nichols refers to as his “jaw breaking song.”

Preservation Hall Jazz Band

The pride of New Orlean’s zydeco-jazz music culture stormed into Louisville — almost literally. Staying true to Preservation Hall’s reputation of never hosting a performance in the rain, the day’s storms cleared out of Louisville just in time. Some things never change, I guess.

Preservation Hall Jazz Band with Jim James – Photo by Kate Eldridge (www.KateEldridge.com)

Just as everyone anticipated, Jim James took the stage for a cabaret-like sing-a-long with Bourbon Street’s brass kings. And somehow at the end of that boisterous performance, James was holding a broken mic stand. Figure that one out for me.

Ravenna Colt

Johnny Quaid – Photo by Kate Eldridge (www.KateEldridge.com)

Who would’ve ever known that frontman Johnny Quaid actually had something more exciting in store than his own band’s performance at Forecastle? Not even me. Just a few hours after a bit of a mundane performance with his band Ravenna Colt, Quaid joined his former bandmates in My Morning Jacket onstage for what had to be the highlight of his night.

Ravenna Colt has some decent songs, thanks to Quaid’s obvious ear for sound, but their presentation needs some work. Many of their songs don’t warrant an energetic performance; the band just didn’t seem to be inspired by the music they were playing.

“South of Ohio” is one song they played that warrants a feather in his hat, but a bleak crowd seemed to detract from the performance.

GirlTalk

From Bruce Springsteen to Outkast to Black Sabbath, etc., etc. All laced with a steady backbeat. Ok, this guy reminded me of this loud-mouth, yet like-able, drunken club DJ that I used to work with in college in Richmond, Ky.
This dude pressed a damn button every so often on his laptop, yelled through his microphone “How y’all doing?” a few times and then staggered around like a boozed up ADHD patient all night — sometimes being away from his “instrument” for extended periods of time. Sure, he was a fun guy who “breaks out the jams” and entertains the chemically induced masses. But let’s be clear; I never considered this drunken bastard “talented.” Know what I mean?

GirlTalk – Photo by Kate Eldridge (www.KateEldridge.com)

Final thoughts…

It’s safe to say that this year’s Forecastle Festival topped everyone’s expectations, even my own. I admit that one of my first worries with all the amped up hype was that there would be an equally amped up Police force and security team ready to spoil the fun. As it turned out, however, and much to everyone’s appreciation, that wasn’t the case. They were seemingly respectful of the fans.

Photo by Jason Ashcraft

I mean, let’s face it; you can’t have the police dragging away a bunch of teenage and 20-something potheads for passing around doobies. Not when the Mayor just came off stage from amping them up and hanging out in VIP. That wouldn’t look good, now would it?

In all seriousness, well done LMPD and Axis Security! You see? You guys still brought home the same amount of pay, maintained the safety of all festival-goers and didn’t have to break a sweat or someone’s arm while doing it. Hopefully, you guys now realize that all those pot-smoking, music-junkie hippie kids aren’t really interested in bringing harm to anyone or anything. Nah. All they really want to do is get another polish sausage to suffice their munchies, dance in circles to a My Morning Jacket or Dr. Dog song, and maybe learn how to burn a few less fossil fuels in their daily lives. So, thank you for allowing this to happen. Peacefully.

** This review also published at LouisvilleKY.com and PerformerMag.com

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Artwork by Jeral Tidwell

Last summer, country-rock musician Bryan Fox was looking for a way to boost his annual Halloween benefit party called “Fox Bash,” which benefits The Smile Train. Fox, who is also a Dentist by day, wanted to host one of the city’s biggest bands to play it. He then connected himself with Kentucky hip-hoppers, Nappy Roots, through his musician friends in Louisville. Initially, he thought it may be a bit of a long-shot for them to be available on the exact day he had the party scheduled for. But to his surprise, not only were Nappy Roots happy and able to play his Halloween benefit event, but they also started liking Fox’s music that he wrote. After working together to lay tracks down in May for “Countryfied State of Mind”, today they are releasing the song via iTunes, Amazon, and other digital music outlets.

Officially, those collaborating on this project have been Clutch, Big V, and B.Stille from Nappy Roots, along with Louisville musicians Bryan Fox on vocals/guitar, Ryan Murphy on Drums, Kevin McCreery on guitar, and Chip Adams on Bass. 

“This song is just different,” Fox comments. “I am a writer that really generally tries to go for the deep meaningful lyrics a lot of times, but this song is pure fun. I would think its one of the most commercial songs I’ve written for sure though.”

From left: Chip Adams, Slick, B.Stille, Bryan Fox, Ryan Murphy, Kevin McCreery, Clutch

As you probably have already anticipated, “Countryfied State of Mind” is a blend of hip-hop and alt-country rock with a modern chorus that aims to get stuck in your head. Fox leads on both vocals and guitar during the chorus, and then the Nappy Roots guys each crafted their own verses to the song. It has kind of a fun and festive feel to it, much like the way that DJ Jazzy Jeff & the Fresh Prince’s “Summertime” had to it, but with a redneck’ish Kentucky-inspired pop-country flair.

Fox & Nappy Roots are also in collaboration on more music, so “Countryfied State of Mind” isn’t a one-and-done release. 

“We are thinking of doing at least 5 songs together,” Fox states. “Countryfied State of Mind has gotten us all excited to create more music. There is a freshness and an energy to this collaboration that is hard to ignore.”

Speaking on the current release Fox says, “The song speaks for itself. It’s a fun summer song that makes you want to drink a beer and party at the lake. Lets hope a lot of people like to do that!”

Interview with Clutch, B.Stille from Nappy Roots & Bryan Fox on 5-11-11

This review also published at Louisville.com

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