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Archive for August, 2011

Brigid Kaelin is doing it again. Yep, the little red-headed darling songstress from Louisville’s original music scene is making her annual pilgrimage across the pond to Scotland. But this time for more of an extended stay while her husband attends graduate school in Scotland’s capital of Edinburgh.

She was anxious to sit down and explain the rationale behind the decision and was noticeably excited about the trip which will take her away from Louisville for more than a year.

With much glee, Kaelin wasn’t shy about declaring how much better the pay is for musicians in Europe.

“It’s good that you’re getting paid over there. They pay musicians in Europe. It’s the strangest thing. Imagine that. Artists getting paid.” she says with a cutesy touch of well-placed sarcasm while sitting in a yoga-like position on her basement keyboard bench.

She’s content with her position in music and in life. Her smile never dissipates, even while discussing one of Louisville’s moot points of being a musician and trying to get paid. 

It’s nice but not necessary with her. She’s a lover of the art of creating music and playing with different variations of expression.

Kaelin will be joined onstage starting at 7:00 pm with a host and variety of different musicians that she’s played with over the years. Expect appearances with Peter Searcy, Steve Cooley, Leigh Ann Yost, Danny Flanigan, the Billy Goat Strut Revue and Katy Krekel (daughter of the late Tim Krekel).

“It should be fun. Lot’s of special guests. It’s all the people I’ve played with over the years.”

Brigid Kaelin & Friends
Friday, August 26th
The Monkey Wrench
1025 Barret Ave.
7:00 pm
$5
21+

Here’s another one of my typical un-edited, self-shot, one-take video interview with Brigid on 8/23/11:



** This interview and preview is also posted at Louisville.com

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If Louisville’s “Metal” music scene ever needs another reason why people don’t take them seriously and why it’s number of supportive venues continue to dwindle, then this is it….

Can anyone say “Jackass”?


Watch the entire report by WAVE 3 TV’s Troubleshooter Erick Flack.

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Last Saturday’s monsoon-like thunder storm parted ways and went around Fort Knox. At least so it seemed as I made the trek down Gene Snyder Freeway en route to one of the U.S. Army’s most iconic military installations to see Kansas and the Doobie Brothers. With each passing mile the sky became more clear and the wind more calm. The show must go on.

Arriving at Fort Knox’s main gate traffic was quickly directed right into Godman Airfield where you were actually allowed to drive right down the main tarmac some several hundred yards. “What the hell?” I thought to myself as I pushed my gas pedal to the floorboard and took advantage of the desolate airstrip before me.

A massive stage was positioned right next to the air traffic control tower and air hanger #1, which helped give a bit of an authentic vibe for seeing a concert on a military base.

As expected, MP’s were just about everywhere you turned and ushering people along like cattle in between a maze of yellow barriers. Once led into the stage area those yellow barriers then became blockades several hundred feet in front of the stage and was reinforced by a neat row of MP’s behind them. The production staff was still finishing their sound checks. Then, over the PA system, a stage announcer says “All right folks, were gonna open the barriers up here in a second. Please make your way to the stage in an orderly fashion.” Yeah, right. As soon the barriers were removed a mad dash of several thousand people equipped with folding chairs, beers, and hot dogs ensued as everyone vied for a front row seat. Not hardly the “orderly fashion” requested.

Kansas, not Dilana, led off the night to an eager crowd who had just stampeded their way to get an up-close glimpse of the classic rockers.


Kansas – photo by Ross Lister

With a pinkish twilight of the sun setting as their stage backdrop, Kansas took their audience through their somewhat limited, yet popular, handful of hit singles that the original Kansas had written in the late 70’s and 80’s. “Carry On Wayward Son,” “Point Of No Return,” “Fight Fire With Fire,” and of course the song that made Kansas a household name in classic rock “Dust In The Wind” were amongst the songs performed. The best part of Kansas this day and age? Violinist David Ragsdale. He’s one bad mofo on the fiddle.


Kansas – photo by Ross Lister

The crowd was good and “primed” by the time the Doobie Brothers were set to take the stage and had only logged one skirmish that MP’s had to break-up. Once the Doobies appeared onstage the crowd erupted in anticipation as the band opened with “Jesus Is Just Alright.”


The Doobie Brothers – photo by Ross Lister

The Doobies are known for their perfect mix of harmonious vocals and blazing guitar solos by both Tom Johnston and Patrick Simmons, two of the band’s original and founding members who are still the heart and soul of the band. Their performance on this night offered no shortage of the Doobies iconic style as they performed songs from their early days like “Takin’ It To The Streets,” “Black Water,” and “Long Train Runnin”.


The Doobie Brothers – photo by Ross Lister

They also threw in a mix of newer songs from their 2010 album World Gone Crazy with the title track, “Chateau” and “Nobody” which came with an impressive guitar solo by Johnston.

The only regret for the night was the sudden and untimely canceling by Lynyrd Skynyrd due to an ailing Johnny Van Zant. Hopefully they will schedule a make-up show because I’m sure I wasn’t the only person in the crowd that was just dying to have a valid reason to scream out “Play some Skynyrd man!” Maybe that chance will still be in store in the not-so-distant future.

*Photos by Ross Lister & Jason Ashcraft

** This review also published at Louisville.com

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My Morning Jacket has debuted a new eye-popping, euphoric video for “Holdin On To Black Metal.”  The guys gave an early preview of the video on Monday night when several members posted it on their Google+ accounts, resulting in one of the first music video premieres shared within Google’s new social network.

Staying true to their animated approach to videography, this video is a trippy blend of both animation and clips of live performances, with bassist Two-Tone Tommy being a central focus.

Recorded at Louisville’s ……….Ok, enough already. Here’s the video:

** This preview is also published at Louisville.com

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